{"version":"1.0","provider_name":"The New York Review of Books","provider_url":"https:\/\/www.nybooks.com","author_name":"Matthew Howard","author_url":"https:\/\/www.nybooks.com\/contributors\/mhoward\/","title":"Freak Show |","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RvS5IugCsK\"><a href=\"https:\/\/www.nybooks.com\/articles\/1973\/11\/15\/freak-show\/\">Freak Show<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.nybooks.com\/articles\/1973\/11\/15\/freak-show\/embed\/#?secret=RvS5IugCsK\" width=\"600\" height=\"338\" title=\"&#8220;Freak Show&#8221; &#8212; The New York Review of Books\" data-secret=\"RvS5IugCsK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.nybooks.com\/wp-content\/uploads\/1973\/11\/1973-11-15.png","thumbnail_width":630,"thumbnail_height":864,"description":"The ambiguity of Diane Arbus's work is that she seems to have enrolled in one of art photography's most visible enterprises\u2014concentrating on victims, the unfortunate, the dispossessed\u2014but without the compassionate purpose that such a project is expected to serve."}